Yugen Wang received his Ph.D. in East Asian Languages and Civilizations from Harvard University and an M.A. in Comparative Literature from Peking University. His primary research area is classical Chinese poetry and poetic thought, with a focus on the Tang and the Song dynasties. In his book Ten Thousand Scrolls, he made the argument that the excessive allusiveness of the Jiangxi School patriarch Huang Tingjian’s (1045–1105) poetry and his emphasis on the importance of book reading for poetic composition should be understood in the larger historical shift from script to print that was intensely occurring in China at the time. He just finished a book on the works of the Northern Song poet Chen Yuyi (1090–1139).
Writing Poetry, Surviving War: The Works of Refugee Scholar-Official Chen Yuyi (1090–1139) 萬里江湖憔悴身: 陳與義南奔避亂詩研究. New York: Cambria Press, 2020.
Ten Thousand Scrolls: Reading and Writing in the Poetics of Huang Tingjian and the Late Northern Song. Cambridge, Mass.: Harvard University Asia Center, 2011. Translated and published in Chinese as Wan juan: Huang Tingjian he Beisong wanqi shixue zhong de yuedu yu xiezuo 萬卷: 黃庭堅和北宋晚期詩學中的閱讀與寫作. Beijing: Sanlian shudian, 2015.
“The Xikun Experiment: Imitation and the Making of the New Poetic Style of the Early Northern Song,” The Journal of Chinese Literature and Culture, vol. 5, no. 1 (2018): 95–118.
“'Passing Handan without Dreaming': Passion and Restraint in the Poetry and Poetics of Qian Zhongshu,” in China’s Literary Cosmopolitans: Qian Zhongshu, Yang Jiang, and the World of Letters, edited by Christopher Rea, Leiden: Brill, 2015, pp. 41–64.
“Wenxin diaolong Wuse pian yu Zhongguo gudian shige jingwu miaoxie cong xiangyu dao xieshi zhi fanshi zhuanxing” 文心雕龍物色篇與中國古典詩歌景物描寫從象喻到寫實之范式轉型 (The “Colors of Things” chapter of the Wenxin diaolong and the transformation of classical poetry in Middle Period China), Zhongguo bijiao wenxue (Comparative Literature in China), vol. 95, no. 2 (2014): 16–39.
“The Limits of Poetry as Means of Social Criticism: The 1079 Literary Inquisition against Su Shi Revisited,” Journal of Song-Yuan Studies, vol. 41 (2011): 29–65.
“Shige: The Popular Poetics of Regulated Verse,” Tang Studies, vol. 22 (2004): 81–125.
“Bixing yu Zhongguo shixue yiyi de dongtai shengcheng” 比興與中國詩學意義的動態生成 (The affective image and poetic signification in classical Chinese poetry), Beijing daxue xuebao (Academic Journal of Peking University), 1996 (6): 87–92.
“Quanshi xunhuan duiyu Zhongxi bijiao shixue de yiyi” 詮釋循環對於中西比較詩學的意義 (Significance of the hermeneutic circle for Chinese-Western comparative poetics), Wenyi yanjiu (Studies in Literature and the Arts), 1996 (2): 38–44.
“Zhongguo yujing zhong de quanshi xunhuan” 中國語境中的詮釋循環 (The hermeneutic circle in the Chinese context), Wenyi lilun yanjiu (Studies in Theories of Literature and the Arts), 1994 (1): 32–38.